1990, regia di Armando Acosta (Armondo Linus Acosta)
Scheda: Nazione: Belgio - Produzione: PH Consulting - Distribuzione: Loeb & Loeb - Soggetto: da Romeo e Giulietta di William Shakespeare - Sceneggiatura: Armando Acosta, Koen Vanbrabant, Victor Spinetti - Fotografia: Armando Acosta - Montaggio: Jan Reniers, Armando Acosta - Musiche: Armando Acosta, Emanuel Vardi - Formato: Color, film musicale - Durata: 120' (130').
Voci: John Hurt, Robert Powell, Francesca Annis, Vanessa Redgrave, Ben Kingsley, Maggie Smith, Victor Spinetti.
Armando Acosta Vanessa Redgrave
Plot Summary, Synopsis, Review: IMDb - allmovie.com - tcm.com - bfi.org.uk - ovguide.com - movids.net - eofftv.com - moviefone.com - en.wikipedia.org: «...Romeo.Juliet is the title of a 1990 film version of William Shakespeare's classic play Romeo and Juliet. It was made by American producer, director and cinematographer, Armando Acosta (also credited as Armondo Linus Acosta and Armand Acosta) using the feral cats of Venice, New York, and Ghent as actors, with the voices dubbed by some of the greats of the English theatre including Ben Kingsley, Maggie Smith, Vanessa Redgrave, Robert Powell, Francesca Annis, Victor Spinetti, Quentin Crisp, and John Hurt. The score of the film features Serge Prokofiev's 'Romeo and Juliet Ballet' as performed by the London Symphony Orchestra, André Previn conducting and an original theme composed by Armando Acosta and Emanuel Vardi, performed by the London Symphony Orchestra conducted by Barry Wordsworth. The story of this film revolves around an eccentric bag lady (played by John Hurt), the only human being in the film, who takes the cats of Venice and puts them on a boat, which sails to the New World. The world premiere was held at the 1990 Venice Film Festival. Former festival director, Guglielmo Biraghi invited the film to be screened out of competition. Romeo.Juliet was later screened at the Flanders Film Festival and Cologne Film Festival. In January 1992, the film was screened in Los Angeles at the Directors Guild Theatre, Writers Guild Theatre, and at Warner Brothers studio. The motion picture was conceived and created as a film-in-concert with a live orchestra performing the soundtrack with the projection of the movie. The World Premiere of the Romeo.Juliet Film-in-Concert was held at the Palais des Beaux Arts in Brussels in June 1992. British born conductor, Nicholas Cleobury, led the National Orchestra of Belgium in three performances. John Hurt attended the premiere along with Oleg Prokofiev, son of composer, Serge Prokofiev. Oleg Prokovfiev stated in an interview, "...it's not simply a film, it's a poem. It's a higher art than cinema, it's super cinema. A special cinema which does not follow a classical story line, but harmoniously blends my father's ballet music, Shakespeare's text and the magical images of the film." A second series of film concerts was held in Japan in February 1993 at the NHK Hall with Yoko Matsuo conducting the New Japan Philharmonic Orchestra. The film is described as having been difficult to produce, requiring over 400 hours of footage of the feline cast to assemble the images for the final film. The movie was shot entirely on video and then successfully transferred to 35mm. It is also remarkable for being one of the few major releases in which several members of the production team gave up their salaries to produce the film. It has not been re-released for the home video market. This lack of availability, which has been described as making it "more rare than the dinosaur" has made it a sought-after item in some circles. ...».