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Shakespeare al cinema: La bisbetica domata - Medioevo al femminile


LA BISBETICA DOMATA

(The Taming of the Shrew)

1929, regia di Sam Taylor

 

Scheda: Nazione: USA - Produzione: The Mary Pickford Company, Elton Corporation - Distribuzione: United Artists - Soggetto: dall'omonima commedia di William Shakespeare - Adattamento, dialoghi e sceneggiatura: Sam Taylor - Fotografia: Karl Struss - Montaggio: Allen McNeil - Scenografia: Laurence Irving, William Cameron Menzies - Costumi: Mitchell Leisen - Formato: B.N., muto - Durata: 63' (73').

Cast: Mary Pickford, Douglas Fairbanks, Edwin Maxwell, Joseph Cawthorn, Clyde Cook, Geoffrey Wardwell, Dorothy Jordan, Charles Stevens.

 

Trama e commenti: cinematografo.itbabylon.comtencinema.net: «Caterina, figlia di un mercante, per il suo cattivo carattere ha fatto scappare tutti i suoi pretendenti e anche quelli della sorella. Verrą domata da Petruccio, fautore della maniera forte nei rapporti prima e dopo il matrimonio».

Plot Summary, Synopsis, Review: entertainment.msn.com - tvguide.com - silentera.com - movies2.nytimes.com - filmradar.com - movies.yahoo.com - movies.go.com - allmovie.com: «As the silent era drew to a close (along with their marriage), Mary Pickford and Douglas Fairbanks made this early talkie, appearing in their first film together as William Shakespeare's rambunctious couple Katherine and Petruchio in The Taming of the Shrew. In this pared down, slapstick version of Shakespeare's comedy, Petruchio rides into town facing backwards on a jackass, strumming a lyre, looking for his fair-haired, soon-to-be-wife Katherine. The two engage in a battle of the sexes, complete with verbal sparring and pratfalls, until Katherine is brought down to size and made to be subservient to her loutish husband. Although disputed in John C. Tibbetts' book His Majesty, the American, legend has it that Samuel Taylor, the film's director who also adapted the screenplay, had the writer's credit read "By William Shakespeare, with additional dialogue by Sam Taylor." The film was re-scored and re-edited (drastically shortening the film) in 1966» (Paul Brenner).

Approfondimenti: Movie Review

       

Conosciuto anche con il titolo: La fierecilla domata.

   

        


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